Olive Tree Size:S - 29.7 x 42cm (A3) It belongs firmly to the

It belongs firmly to the early 20th-century Japanese landscape tradition: stillness rendered with precision

The Floating Pavilion at Katada in the Snow depicts the famous Ukimido shrine rising from Lake Biwa in winter stillness — a subject Kôitsu returned to in his later career as he moved away from war imagery toward landscapes of contemplative beauty

the luminous gradations and delicate tonal shifts of Hasui's original are preserved with precision

characteristic of the early 20th-century Japanese printmaking revival that sought beauty in fleeting

Bodart's illustration approach distils the building's complex exposed framework into confident geometric forms

Olive Tree Size:S - 29.7 x 42cm (A3) It belongs firmly to theOlive Tree presents an antique botanical study of Olea europaea in the measured, descriptive style of 19th century natural history illustration. The plate arranges branch, leaf, blossom, and fruit within a single upright composition, each element depicted with careful observation of form and surface. Tone is applied with restraint soft ochres and dusty greens that feel true to the Mediterranean light the olive inhabits. The work belongs to a tradition