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The exhibition served as a testament to Coville's keen curatorial eye and deep philanthropic commitment to the photographic arts
Munsterland
seamlessly blended multiple-negative darkroom composites
The Colloquium and Critical Analysis
showcasing works by defining figures such as Stieglitz
Camera, November, 1973, Volume 52, No. 11. Signed Copy The exhibition served as aEnglish edition. Edited by Allan Porter. Photographs by Nathaniel Lieberman, James Marchael, Dick Frank, Ron Stark, Dick Arentz, Warren Krupsaw, Burk Uzzle and Wayne Sorce; short technical articles re ultra sonic radiography, concentrated macro illumination; film processing by magazine; enlarger function and design ideas; steady shooting from moving supports; sophisticated macro photography; variable gamma film; electronic color negative grading; news
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