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Fischli & Weiss
one of the most original
The result is a postcard book with a good pinch of self-irony and a proper wink at the elitist habitus of both scenes
It's constantly moving
and ended in 1975 after three years of intense experimentation
Nathanael: Pasolini's Our homeware Fischli & WeissNightboat, 2018, softcover, 80 pages, 20 x 15 cm The body of the filmmaker is itself a discrepancy. This may be one of this books claims, if it were to advance something like an argument. Instead it writes its way through to a dry swamp, in the elusive company of Pier Paolo Pasolini, Mizoguchi Kenji, and the albatross, evincing procedures of extinction that owe something to both translation and photography. Its armament, approximating the latent