Behind the Door crime Raul Marroquin started his Fandangos

Raul Marroquin started his Fandangos project when he was a resident at the Jan van Eyck Academie

examined and interpreted in and from the fields of architecture

This issue of Sešit concludes with Andrea Bátorová’s review of the anthology Universal – International – Global: Art Historiographies of Socialist Eastern Europe

and collaboration

as critically dissected and interpreted by Paris-based studio Bruther and Laurent Stalder

Behind the Door crime Raul Marroquin started his FandangosBehind the Door is a three year photography project exploring the fleeting connections of modern relationships. Capturing nearly 100 strangers in their rooms, the project delves into desire, vulnerability, and uncertainty in intimate spaces. Participants, found online, invited the photographer into their private rooms under an agreement of anonymity. These encounters, more emotional experiments than traditional documentation, reflect the ambiguity and